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Get Free Ebook Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)

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Get Free Ebook Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)

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Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)

Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)


Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)


Get Free Ebook Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)

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Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)

Review

"Audacious....Original and provocative....What Hartman has to say about both slavery and its continuing resonances should be heard as widely as possible....A major scholarly contribution to the project of expanding and refining the nation's political memory."--The Nation"A tour de force."--American Literature"American historians, especially historians of the South, will learn much from Secenes of Subjection"--The Journal of American History"A profoundly important subject...the author explores anew the calculated use of both blatantly overt and seemingly subtler forms of control over black bodies and black psyches."--Mississippi Quarterly

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About the Author

Saidiya Hartman is Associate Professor of English at the University of California-Berkeley

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Product details

Series: Race and American Culture

Paperback: 296 pages

Publisher: Oxford University Press; 1 edition (September 4, 1997)

Language: English

ISBN-10: 0195089847

ISBN-13: 978-0195089844

Product Dimensions:

9 x 0.8 x 6.1 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#32,275 in Books (See Top 100 in Books)

This is the most profoundly important text in Black Studies. Every conversation of any import in the current moment of the discipline remains beholden in some way to groundbreaking claims, devastatingly precise language, and innovative methods of Saidiya's writing here.

Saidiya Hartman is clearly a genius. This book is brilliant.

This book is intense. I have been wanting to read the whole text for some time and had only previously read excerpts. Thanks for getting the book here quickly.

Hartman begins her text by refusing to inure her audience with depictions of the violated enslaved African body in order to prove in part that Black people's pain should not be utilized in order to prove their humanity. Instead, Hartman relies on interviews, fictional and autobiographical narratives, and court cases to show when and why Black people were selectively viewed as human or nonhuman in order to bolster a racialized and masculinized idea of citizenship following emancipation. Reconstruction-Era emphasis on racial mimicry amongst Black men and women created a racialized citizenship that was not about either equality or equity. Rather, Hartman shows how the belief that Black women were inviolable, the culture myths that Black men becoming "men" through domesticity, toil, and sites of capitalist heteropatriarchy, and more were codified to create a belief in citizenship that kept Black people from real freedom.

Saidiya Hartman, with "Scenes of Subjection" has penned a well-researched and insightful look at the interior life of enslavement, power, and personal freedom. Using copious first-hand resources, Hartman creatively considers how the every day life and rituals of enslaved African Americans demonstrates that one can enslave a body, but never a soul.Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction , Spiritual Friends, and Soul Physicians.

I haven't read this book yet by Saidiya Hartman, but, if this is a poweful as "Lose Your Mohter'", it must make people very uncomfortable, which it should, regarding the genocide, rape,and torture of Africans in the land of bigoty, racism and hypocrisy.

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